This number of shows that takes as their motivation the stories that form north mythology that is american brunette nude model yarns and fables owned by cowboys, Indians, voyageurs, spinsters, and big town Horatio Algers. They are tales that have been glamourized by popular tradition, and which occur in iconic proportions. Yet they’ve been fairly young, flexible tales, a maximum of 200 years old. Dempsey and Millan flex them so that they mirror a perspective that is different. By imposing an ironic lesbian and feminist reading/retelling upon these stories, they illuminate our history and our current, and produce alternate archetypes that propose brand new “new globes. ”
The Quick Tale of minimal Lizzie Borden is really a piece that posits rage as a justifiable, certainly rational response that is emotional modern globe occasions. There’s two elements to the work, a printed text this is certainly fond of the viewers become read at their leisure, and a performance that examines a contemporary woman’s anger. The narrative that is written the tale associated with the childhood of Victorian murderess, Lizzie Borden, who was simply accused of killing her moms and dads. Contrary to the printing work’s nineteenth century, poetic style, the live concert informs an account of present-day kleptomania, grooming, together with rush to war. Within an irony-laden tirade, Dempsey describes why she steals women’s publications.
“This just isn’t a tool. This isn’t an axe. This might be a hatchet. An inferior, scaled straight down, more feminine, less effectual variation. Perhaps perhaps maybe Not an instrument, an accessory! And add-ons create interest. ”
Duration: five minutes.
First performed: October 2001, Finding Feminisms seminar, Mentoring Artists for Women’s Art, Winnipeg, Manitoba
Printed text published in Bedtime tales for the side of the global World, Arbeiter Ring Press, 2012
Photos by William Eakin and Elaine Stocki
Other pieces that are live the show through the Headless Woman together with Lesbian appreciate tale associated with Lone Ranger and Tonto. Skip Gray’s Marvellous Truth Machine exists as an installation and recording on plastic.
Winnipeg Tarot Company
The Winnipeg Tarot Co. And its own hope and enlightenment professionals offered free tarot card readings throughout Winnipeg throughout the autumn of 2010. Well-known designers from many different procedures staffed the portable fortune-telling tent: Shawna Dempsey (performance artist), Sandee Moore (performance musician), Ian Ross (playwright), Ross McMillan (star), John K. Samson (musician and journalist), Caroline Gray (puppeteer and playwright), Rodrigo Munoz (musician), Maggie Nagel (star), Christine Fellows (musician) and Charles LeBlanc (journalist and actor). Readings were obtainable in Spanish, French, Japanese and English. The crew of art-intuitives travelled from senior houses to department stores, the airport to your hockey arena, for five months, tapping into Winnipeg’s effective psychic emanations. The device of the trade had been a entirely redesigned tarot card deck featuring sites that are well-known icons of Winnipeg, produced by Dempsey and Millan, illustrated by Bonnie Marin and created by Mike Carroll.
The performance started at Portage destination Mall on Saturday September 25, 2010. Also ahead of the tent ended up being put up, a line-up that is two-hour, including an octogenarian World War II war bride along with her Canadian-born spouse, teens nevertheless awake kind partying the evening prior to, a Latin American medical care worker on her method to work, a businessman in a suit and connect, a greatly tattooed biker, plus an architecture pupil. Only at that as well as all the venues, audience/participants originated from all walks of life to unburden on their own and have concerns in connection with way and meaning of the everyday lives. The intimacy between your musicians and also the individuals at those moments ended up being profound. Even though musicians prefaced each session because of the terms, they were listened to“ I cannot read the future”, people brought their hopes and fears, and.
Re Payment when it comes to fortune-telling solution had been just accepted in tales about Winnipeg. Residents could also go right to the internet site while having a card that is electronic and key in their Winnipeg stories. Over the course of the task very nearly 1000 tales had been gathered and soon after deposited within the Winnipeg Archives.
This Cultural Capitals project, commissioned by the Winnipeg Arts Council, tapped to the secret and secret of our town, and developed a significant intersection between performers and residents to share our provided futures.
To possess your fortune read, hear tale or keep an account, head to http: //winnipegtarotco.ca.
Duration: 5 months
Performed: and October 2010, throughout Winnipeg, Manitoba, in coffee shops, parks, libraries, cafes, etc september.
Photos by Lorri Millan and Leif Norman
The ways that news media has changed our relationship to language and activism is explored through thi narrative that is first-person that your symbols of terrorism literally drop through the roof.
It’s estimated that over the following two hundreds of years, 40% regarding the world’s extant languages will no much longer be modern modes of idea or expression. In the same time, “dominant” languages are devolving to the brevity of advertising and journalism. Sentence length is shrinking, and descriptives have emerged as superfluous. With this particular de-languagification, idebecause in addition to countries are now being lost. These shows glance at the irony associated with known proven fact that, at the same time whenever we have actually the methods to discussion and advocate locally, nationwide and globally, we losing ab muscles language with which we communicate.
“The following performance contains no nudity, physical violence or language that is coarse. No pets had been harmed within the creation with this piece, with no meat will be ready or consumed on phase. Be forewarned that you will have no strobe lights, fireworks or pyrotechnics of every sort, with no gunshots will undoubtedly be fired. What you are actually going to see will bore young ones, older people, and people of you in-between. Time will crawl by and you may curse the close buddy whom brought you right here. You certainly will think about asking for the cash back, but that could need private conversation with the performer then you might never ever move out of right right here (laugh). No, tonight’s spectacle will in no real means be dazzling. In fact the dazzling is supposed to be studiously avoided, and this won’t be a lot of a spectacle at all. ”
Duration: 20 mins
First performed: 2006, Studio XX, Montreal, Quebec october
Photos by William Eakin